mardi 21 juin 2016

"Zéro" nombre de flotilles/manifs en Europe, sauf si Israël est "impliqué"

Le journaliste Benjamin Weinthal relève régulièrement sur Twitter le nombre "Zéro" de flotilles/manifs en Europe pour porter secourir aux victimes, y compris palestiniennes, de conflits.  Ainsi on "dénombre" "Zéro" nombre de flotilles/manifs dans les cas suivants et bien d'autres:

- 0 protests on streets of London, Paris, Berlin from the tens of thousands of pro-Palestinian supporters in Europe re: Report: 17 Palestinians have been tortured to death in Syrian government prisons since the beginning of 2016.

- Happening in Yemen. 14 million + Yemenis are in need of emergency food/life-saving assistance. 0 Gaza-style flotillas from Europe on the way

 - Over 350,000 people have been displaced in Turkey's ongoing "hidden war." 0 Gaza-style flotillas on the way to help

etc etc

vendredi 17 juin 2016

Des graffitis philosémites par l'artiste polonais Rafał Betlejewski

Le constant s'impose.  Il y a de moins en moins de Juifs en Europe.  La plupart des Européens n'ont jamais rencontré un Juif.  Beaucoup regrettent cette absence.  C'est le cas de Rafał Betlejewski, un artiste polonais.  Il a décide d'exprimer son sentiment de perte en peignant un  graffitto philosémite: "Juif, tu me manques" dans une rue de la ville de Lodz.  Et ce n'est pas la première fois.  Les réactions en Pologne sont très positives et suscitent un grand intérêt.  On peut, hélas, imaginer le tollé que cela provoquerait dans certains autres pays européens où l'image du Juif est constamment dégradée.


JTA: Anti-Semitic graffiti is so common in Poland that it hardly makes the news, except maybe when it’s on Holocaust sites or Jewish cemeteries.

But huge philo-Semitic slogans painted in the national colors and confessing a sense of loss over the destruction of Polish Jewry in the Holocaust are somewhat more remarkable. Which is why Polish media is abuzz this week with reports about a graffito reading “I miss you, Jew” that an artist painted on a main street in Lodz.

Rafał Betlejewski, who is not Jewish, coordinated with local Jews and others before painting the attention-grabbing inscription on June 11 on Piotrkowska Street, a main artery. The graffito was part of a series he began in 2005. The founder of an advertising firm, Betlejewski, 48, has painted or helped paint the message dozens of times at sites with a special place in the history of Polish Jewry.

lire la suite

mercredi 15 juin 2016

Yasser Arafat empoisonné ? La justice française doit se prononcer vendredi

On connaît la passion de tant de Français pour Yasser Arafat et les Palestiniens.  Visiblement elle se pérennise, malgré l'intensification des épouvantables drames liés au terrorisme islamiste que la France connaît ces derniers temps.

RTL: Yasser Arafat empoisonné ? La justice française doit se prononcer vendredi @RemiSULMONT #RTLMatin 

Alors que...

Mort d'Arafat : la justice française ordonne un non-lieu dans l'enquête ...

www.france24.com/.../20150902-yasser-arafat-autorite-palestinienne-ord...
2 sept. 2015 - La justice française a tranché : le leader palestinien Yasser Arafat n'a pas été empoisonné. Les juges chargés de l'enquête pour "assassinat" ...

Yasser Arafat n'a pas été assassiné, selon la justice française - Rtbf

https://www.rtbf.be/.../detail_yasser-arafat-n-a-pas-ete-assassine-selon-la-jus...
21 juil. 2015 - Yasser Arafat n'a pas été assassiné, selon la justice française ... français ont à deux reprises écarté la thèse de l'empoisonnement, la dernière ...


mardi 14 juin 2016

L'appel du poète allemand Henrich Heine aux antisémites européens (19e siècle)

"Ich, ich dulde dass du rasest, Du, Du duldest dass ich atme", écrivit Heinrich Heine [1797-1856] au sujet des relations entre non-Juifs et Juifs en Europe au 19e siècle.  Le poète "tolérait" la haine mais demandait qu'on "tolère" qu'il respire, qu'il puisse vivre. On sait ce qui est arrivé au 20e siècle et ce qui se passe aujourd'hui.  Pour David Goldman la différence entre les années 30 et aujourd'hui réside dans le fait que de nos jours les Juifs portent des armes et ne sont plus à la merci de leurs tourmenteurs. 

David P. Goldman @ Pajamas Media:

Heinrich Heine
[...]  For half a century the horror of a million Jewish children murdered by the Nazis stopped the mouths of the anti-Semites, but that memory has worn off. [...]

Ich, ich dulde dass du rasest, Du, Du duldest dass ich atme, wrote Heinrich Heine of the relationship between Gentiles and Jews in 19th century Europe: I tolerate your rage, and you tolerate my breathing. Things have changed. The crime of the Jews today is to breathe, and especially to breathe the air of their own country. As the body count rises, enlightened opinion once again will blame the Jews for breathing. Muslims will continue to engineer humanitarian disasters (as in the last Gaza War) to solicit Western sympathy, and European governments will attempt to placate their growing Muslim populations by blaming Israel.

The difference between today and the 1930s, to be sure, is that Jews are armed rather than defenseless. I am weary of excusing myself for breathing. Let them hate us as long as they fear us.
lire l'intégralité de l'article

jeudi 9 juin 2016

La plus ancienne caricature antisémite connue pourrait ne pas être antisémite

Mosaic Magazine:

Atop a 13th-century English tax record lies a bizarre sketch of three grotesque-looking Jews in a castle being attacked by a gang of demons; this amateurish artwork has long been thought the oldest known instance of anti-Semitic caricature, most likely lampooning contemporary Jews’ practice of usury. We know the figures are Jews because they are clearly labeled with Jewish names;, two of which belong to historical Jews in 13th-century Norwich. However, argues Sara Lipton, several pieces of evidence suggest a different interpretation:

 
[T]he caricature appears not in a religious polemic or theological treatise, but at the top of a royal tax roll. This is not where one would expect to find an anti-usury diatribe. Although Christian moralists did indeed fulminate against the lending of money at interest, it seems unlikely that a clerk in the Exchequer of the Jews—the only person in a position to have made this little sketch—would share their outrage. His bureau, whose function was to keep track of the substantial royal revenue generated by taxing Jews, existed solely because of Jewish moneylending. . . .
The sketch was most likely made in late spring or summer in the year 1233. These were tumultuous months at the Exchequer. Throughout the 1230s England experienced conflict between, on the one hand, the unpopular King Henry III and his hated so-called “alien” (French) favorite, Peter des Roches, and, on the other hand, a group of resentful noblemen. The Exchequer was a primary battleground in this struggle. . . . Although Jews were, in fact, the main victims of des Roches’s rapacity, his involvement in their financial activities did not endear them or him—or his royal patron—to other Englishmen. . . .

It is this highly charged situation . . . that motivated the deliberately masked satirical indictment of deceit, disguise, and double-dealing in the cartoon. Our clerk, a relatively low-level royal functionary, was not condemning Jewish usury out of moral outrage or religious bigotry. Rather, he was protesting the fact that his bureau had been handed over to “outsiders” and brought into disrepute by an unscrupulous favorite prosecuting unpopular policies. . .

In the end, of course, it does not matter if the clerk’s true ire was directed against powerful [Gentile] courtiers rather than Jewish moneylenders. Although more medieval Christians profited from moneylending than Jews ever did, and although more Christians than Jews died in the violence that broke out within weeks of the sketching of this cartoon, it was Jews, not Christians, who were stereotyped as greedy, bestial, demonic, blood-sucking usurers. In the decades that followed, English Jews were taxed more and more heavily, their goods were confiscated, they were arrested and held for ransom, they were executed on both real and trumped-up charges, and finally, in 1290, they were expelled from the realm, not to be allowed back on English soil for almost 400 years.

Lire l'intégralité de l'article @ New York Review of Books

vendredi 3 juin 2016

Israël ferait plus confiance à l'Egypte qu'à la France


Commentaires au sujet de l'initiative de paix israélo-palestinienne française.

Source

Benjamin Weinthal: L'Egypte pourrait jouer un rôle crucial en amenant  l'OLP et Israël à conclure certains accords (pas  un accord global).  La France n'a aucune chance.

Dor Cohen:  Actuellement, Israël fait plus confiance à l'Egypte, son ancienne ennemie mortelle, qu'à la France (les votes à l'ONU n'ont pas aidé).  La confiance est-elle plus étrange que la fiction?.


jeudi 2 juin 2016

Khomeini était un “connaisseur” enthousiaste de l'antisémitisme européen

La bonne nouvelle - et il y en a une - c'est qu'il y a eu très peu de concurrents européens, beaucoup moins que pour le premier concours...  De tous les pays européens, c'est la France qui a fourni le plus grand nombre de caricaturistes.

Faute de temps et de moyens, le texte anglais est publié ci-dessous.

Ben Cohen @ The Tower:

Bernard Bouton, France
JNS.org – A haredi Jew looks into a mirror and sees the face of Adolf Hitler gazing back at him. The walls and guard towers of Auschwitz are squeezed into a snow shaker, with flying dollar bills replacing the fake snowflakes. Another haredi Jew waves a swastika-shaped fan at an Israeli flag, which blows furiously atop a corpse draped in a Palestinian flag.

Not enough? There’s more. The gates of Auschwitz, adorned with the deadly motto “Arbeit Macht Frei,” swing open to reveal the Al-Aqsa mosque, which sits on Jerusalem’s Temple Mount. Israeli Prime Minister Benjamin Netanyahu, devils’ horns jutting from his forehead, gives a Nazi salute; instead of his usual business suit, he wears a bloodstained brown uniform, with a Star of David rendered as a swastika decorating the sleeve.

Pablo Utiel, France
These are just a selection of the entries submitted to Iran’s latest Holocaust cartoon contest, currently on display in Tehran at the none-too-subtly named Islamic Propaganda Organization. By and large, the cartoons are crudely drawn, in keeping with the themes that they promote. [...]

This is not a recent development, nor is it related to Israeli policy or anything Israel actually does. Anti-Semitism among Iran’s Islamists in fact precedes the creation of the State of Israel. In his excellent book “Germany and Iran: From the Aryan Axis to the Nuclear Threshold,” German historian Matthias Kuentzel described the massive audience in Iran for Radio Zeesen, a Nazi propaganda outlet that
Zeon, France, gagnant
broadcasted programming in Farsi. Among the listeners was the figurehead of Iranian Islamism, Ayatollah Ruhollah Khomeini. According to Kuentzel, Khomeini was an enthusiastic “connoisseur” of European anti-Semitism. “They are liars and determined,” Khomeini wrote in a tract entitled “The Islamic State.” There was also the following claim, based on the same wretched fantasies that lead to Holocaust denial: “We see today that the Jews (may God curse them) have meddled with the text of the Qur’an and have made certain changes in the Qur’ans they have printed in the occupied territories.”
These same views prevail among Iran’s leaders today, no matter what [Iranian Foreign Minister Mohammad Javad] Zarif says. Indeed, to disavow Khomeini would be unthinkable in the current context, as demonstrated by the recent election of Ayatollah Ahmed Jannati as head of the “Assembly of Experts,” a key ruling body that chooses the supreme leader.

Luc Descheemaeker Belgique, prix
spécial
Jannati is a boilerplate fanatic who leads chants of “Death to America” and “Death to Israel” at Friday prayers. It was Jannati who, in 2009, backed then president Mahmoud Ahmadinejad’s blood-drenched crackdown against pro-democracy demonstrators. The regime that existed in 2009 still exists today, with the same mechanisms of fearsome repression at its disposal. It cannot be reformed, and certainly not from within. But—heretical as it is to say this—it can, and should, be overthrown.

la suite

Steffen Jahsnowski, Allemagne

Santiagu, Portugal
Luca Ionel, Switzerland
Thomas Losfeld, France
Dessins: Second International Holocaust Cartoon Contest

Pour en savoir plus:  Lauréats du concours de caricatures de l’Holocauste 2016 à Téhéran : le Français Zéon grand gagnant